The following papers and articles are now available on the Web for your perusal. All items Copyright 1994-2008 by Daniel J. Levitin. Permission to make digital or hard part or all of this work for personal or classroom use is granted with or without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and full citation on the first page. To copy otherwise, to republish, to post on services, or to redistribute to lists, requires specific permission and/or a fee.
Bhatara, A. K., Quintin, E-M., & Levitin, D. J. (in press). Musical ability and developmental disorders. Oxford Handbook of Mental Retardation and Development, 2nd Edition. Oxford: Oxford University Press.
Levitin, D. J. (in press). Absolute pitch. In E. B. Goldstein (Ed.), Sage Encyclopedia of Perception.
Levitin, D. J. (In Press). The neural correlates of temporal structure in music. In: Robertson, P. & Turner, R. (Eds.) Music and the Brain: Current and Future Directions. London: Blouin Foundation
Kadis, J. & Levitin, D. J. (2008). How recordings are made II: Digital hard-disk-based recording. In K. Greenbaum (Ed.), Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio. Natick, MA: A.K. Peters, pp. 15-30.
Levitin, D. J. (2008). Absolute pitch: Both a curse and a blessing. Music Meets Medicine, Proceedings of the Signe and Ane Gyllenberg Foundation, Helsinki, Finland.
Levitin, D. J. (2008). How modern recordings are made: Analog and digital tape-based recording. In K. Greenbaum (Ed.), Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio. Natick, MA: A.K. Peters, pp. 1 - 14.
Levitin, D. J. (2008). The World in Six Songs: How the Musical Brain Created Human Nature. New York: Dutton.
Langford, D. J., Crager, S. E., Shehzad, Z., Smith, S. B., Sotocinal, S. G., Levenstadt, J. S., Chanda, M. L., Levitin, D. J. and Mogil, J. S. (2006). Social Modulation of Pain as Evidence for Empathy in Mice. Science, 312, (June 30, 2006), 1967- 1970.
Levitin, D. J. (2006). This Is Your Brain on Music: The Science of a Human Obsession. New York: Dutton/Penguin.
Levitin, D. J. & Bellugi, U. (2006). Rhythm, timbre and hyperacusis in Williams-Beuren syndrome. In C. Morris, H. Lenhoff, and P. Wang (Eds)., Williams-Beuren Syndrome: Research and Clinical Perspectives. Baltimore, MD: Johns Hopkins University Press, pp. 343-358.
Guastavino, C., Katz, B., Polack, J-D., Levitin, D. J., and Dubois, D. (2005). Ecological validity of soundscape reproduction. Acustica (united with Acta Acustica), 91 (2), 333-341.
Winner of the 2008 European Acoustics Association (EAA) Award for Outstanding Scientific Results.
Levitin, D. J. (2004). Instrument (and vocal) recording tips and tricks. In K. Greenbaum (Ed.), Audio Anecdotes. Natick, MA: A.K. Peters, (pp. 147-158).
Levitin, D. J. (2004). L'Oreille Absolue. L'Année Psychologique, 104, 103-120.
Levitin, D. J. (2004). The Rose Mary Woods/Nixon Tapes. Essay accompanying N. Collins [Curator], A Call for Silence. [Compact disc recording]. London: Sonic Arts Network.
Vines, B., Wanderley, M., Krumhansl, C., Nuzzo, R. & Levitin, D. J. (2004). Performance gestures of musicians: What structural and emotional information do they convey? In A. Camurri & G. Volpe (Eds.) Gesture-Based Communication in Human-Computer Interaction, New York: Springer-Verlag, 468-478.
Levitin, D.J., Ed. (2002). Foundations of Cognitive Psychology: Core Readings. MIT Press. MMRead a review of this book in "Essays in Philosophy", January 2004.
Luu, P., Levitin, D. J., and Kelley, J. M. (2001). Consciousness: A preparatory and comparative process. In P.G. Grossenbacher [Ed.], Finding consciousness in the brain: A neurocognitive approach. Philadelphia: John Benjamins, 243-270.
Parncutt, R. and Levitin, D. J. (2001). Absolute Pitch. In S. Sadie [Ed.], New Grove Dictionary of Music and Musicians. New York: St. Martins Press.
Levitin, D. J., MacLean, K., Chu, L. Y., and Jensen, E. R. (2000). The perception of cross-modal simultaneity. International Journal of Computing and Anticipatory Systems, 323-329.
